Studio · How we work
Kept where it is honest, rebuilt where it fails.
A good frame, restored with judgement. Six steps of restoring and reupholstering a mid-century armchair, from the find to the record.
The six steps
From the find to the record
01
Find
We look for pieces by model, not by designer surname: a base Ekselius chair and an F60 share a designer and differ widely in value. Pairs before singles. A frame worth keeping under a cover that has failed.
02
Verify
Marks, labels, joinery and materials are checked against reference before a name is used. Strong evidence, and we name the designer. Partial, and we write “attributed to”. None, and we describe the piece by period and construction.
03
Keep
Honest wear stays. The colour and marks of an old frame are what cannot be made again, so we do not strip, sand back or refinish wood. Structural failure is a different thing, and is always repaired.
04
Rebuild
Underneath, the piece is made sound: webbing, springs, ties and filling renewed where they have failed. Anything replaced is listed on the piece page.
05
Dress
One cloth, chosen for that piece. We name it with its mill and composition, and state the filling as layers. Some pieces carry a cloth that exists only in a short length.
06
Document
Every piece has a written record before work begins, and its own ID. The piece page shows what was kept, repaired and replaced, so the next owner knows exactly what they have.
The record
What a piece leaves with
The passport lists what was kept and what was renewed. This is one: Carl Malmsten, Åldermannen, 1950s.
Kept
- Original springs
- Horsehair filling
Renewed
- Foam and batting
- Apsley, Jane Churchill
- Piping and buttoned back
Materials
Natural by choice
We prefer natural materials because of how they wear and age. That is our position, not a rule of the period: flexible foam was new in the 1950s and 60s and sold as an improvement. We say what each material is and why it was chosen.